Best of Friends

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It pains me physically to see a woman victimized, rendered pathetic, by fashion. I never like to think that I design for a particular person. I design for the woman I wanted to be, the woman I used to be, and – to some degree – the woman I’m still a little piece of. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. I feel that things happen for a reason and open up new opportunities. I have my favourite fashion decade, yes, yes, yes: ’60s. It was a sort of little revolution; the clothes were amazing but not too exaggerated.

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Cool short haircuts

Grunge is a hippied romantic version of punk. I love the 2000s because everyone started to love haute couture. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. My shows are about the complete woman who swallows it all. It’s a question of survival. Sometimes the simplest things are the most profound.

First I made a dress because I was pregnant and I wanted to be the most beautiful pregnant woman. Then I made a sweater because I wanted to have one that wasn’t like anyone else’s. Comfort is very important to me. I think people live better in big houses and in big clothes.
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Paris High Fashion

It’s hard to balance everything. It’s always challenging. I have a fantastic relationship with money. I use it to buy my freedom. A woman is never sexier than when she is comfortable in her clothes. The market is like a language, and you have to be able to understand what they’re saying. First I made a dress because I was pregnant and I wanted to be the most beautiful pregnant woman. Then I made a sweater because I wanted to have one that wasn’t like anyone else’s.

A woman has the age she deserves. I want people to be afraid of the women I dress. Fashion is a very stressful place to work because of the demands of doing the shows – no one expects a writer to produce two books a year on the dot – but it’s also a very toxic place to work. Age is something only in your head or a stereotype. Age means nothing when you are passionate about something. I don’t care about money. I really don’t care. I just want to do what I do.
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Your winter wardrobe

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Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I like the body. I like to design everything to do with the body. Over the years I have learned that what is important in a dress is the woman who is wearing it. It pains me physically to see a woman victimized, rendered pathetic, by fashion. I believe in comfort. If you don’t feel comfortable in your clothes, it’s hard to think of anything else.

Delete the negative; accentuate the positive! I love the 2000s because everyone started to love haute couture. It’s sometimes said that I’m rebellious and I do things to push people’s buttons, but I just like the challenge. If I had the power, I would ban leggings. I like the things around me to be beautiful and slightly dreamy, with a feeling of worldliness.

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Get that street style

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Grunge is a hippied romantic version of punk. I love the 2000s because everyone started to love haute couture. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. My shows are about the complete woman who swallows it all. It’s a question of survival. Sometimes the simplest things are the most profound.

First I made a dress because I was pregnant and I wanted to be the most beautiful pregnant woman. Then I made a sweater because I wanted to have one that wasn’t like anyone else’s. Comfort is very important to me. I think people live better in big houses and in big clothes.
Read more